Autumn Arrives at teamLab’s Art Exhibition at Mifuneyama Rakuen in Saga Prefecture

04.September.2018 | SPOT

Digitized Nature is a project organized by the creative group teamLab under the slogan ‘Nature Becomes Art’ that makes use of extraordinary digital art. teamLab notes how nature has formed over a very long period of time, and that we can gain a sense of the continuity of nature by turning it into art through forms like rocks, caves and forests.

teamLab are currently showcasing their ‘earth music & ecology’ exhibition titled ‘A Forest Where Gods Live’ at Mifuneyama Rakuen. One of the pieces there is called ‘Forest and Spiral of Resonating Lamps in the Forest,’ which has just been updated to incorporate the autumnal colours known as kasane no irome.

 

Before the modern era of Japan, kasane no irome, or ‘layered colours,’ were autumn colours created in silk. They were a complex combination of front and back colours (silk during this time was so thin that the material was transparent, creating complicated colors), overlapping colour gradations, and combinations of warp and weft.

The updated exhibition, entitled Forest and Spiral of Resonating Lamps in the Forest – One Stroke, Autumn Mountain, makes use of these colours with lamps which fade in and out 8 autumn-time colours including reds and greens.


The group’s ‘earth music & ecology: A Forest Where Gods Live’ was packed up by news platforms around the world including CNN and even came top designboom’s Top 10 Art Installations of 2017. This year marks the 4th run of the exhibition which takes the form of a huge garden spanning 500,000 square meters. It features new digital art installations as well as the old ones which change and manipulate as people walk by them. Mifuneyama Rakuen first opened in 1845 and is a nationally registered place of scenic beauty.

 

Witness the worlds of technology and nature collide with your own eyes.

 

■Information

#かみさまがすまう森, #teamLab, #earthmusicandecology
Venue: Mifuneyama Rakuen (4100 Takeocho Oaza Takeo, Takeo, Saga Prefecture)

Running: July 19, 2018 – October 28, 2018
Cooperation: earth music&ecology
Entry Price: Adults – ¥1,200 / High School & Middle School Students – ¥800 / Elementary School Students & Infants – Free
Tickets: Available via Lawson Tickets (L-Code: 82825) and at the venue.
Lawson Ticket Link: http://l-tike.com/order/?gLcode=82825

 

Times
・July 19 – August 14
1st Entry: 20:00-22:30 / 2nd Entry: 19:00-22:30
・August 15 – September 9
1st Entry: 19:30-22:30 / 2nd Entry: 18:30-22:30
・September 10 – September 30
1st Entry: 19:00-22:30/ 2nd Entry: 18:00-22:30
・October 1 – October 28
1st Entry: 18:30-22:30 / 2nd Entry: 17:30-22:30
*2nd entries open one hour earlier than 1st entries.
*”Drawing on the Water Surface with Lotus Flowers” installation open until 1st entries start.

 

Access:
・5 minutes by taxi from JR Takeo-Onsen Station
・8 minutes by bus from JR buses bound for Ureno Onsen (嬉野温泉) from Takeo-Onsen Station
・1 hour 20 minutes by train from Hakata Station
・40 minutes by car from Nagasaki Airport
・50 minutes by car from Saga Airport
・1 hour 10 minutes from Fukuoka Airport

 

earth music&ecology A Forest Where Gods Live Website: http://mifuneyamarakuen.teamlab.art

teamLab Website (English): https://www.teamlab.art/

teamLab Website (Japanese): http://teamlab.art/jp/

RECOMMENDED ENTRIES

  • teamLab Bring Digital Art to Kyoto World Heritage Site Shimogamo Shrine

    11.June.2018 | SPOT

    teamLab is an ‘artist collaborative, interdisciplinary creative group’ made up of specialists including programmers, engineers, CG animators, mathematicians, architects – the list goes on. They work to blur together the art, science, technology and creative industries.

     

    The team are bringing their Light Festival in Tadasu no Mori digital art exhibition to Shimogamo Shrine, which stands as one of seventeen Historic Monuments of Ancient Kyoto designated by UNESCO as a World Heritage Site. The event will run from August 17 to September 2.

    Resisting and Resonating Ovoids and Forest – Forest of Tadasu at Shimogamo Shrine
    teamLab, 2018, Interactive Digital Installation, Endless, Sound: Hideaki Takahashi

     

    Shimogamo Shrine sits between Kamo River and Takano River. It is one of Kyoto’s oldest shrines, having been a place of worship to countless people since old times. ‘Tadasu no Mori’ (Forest of Correction) is a sacred grove at the shrine and reminder of times gone, stretching 124,000 square meters. It was designated a World Heritage Site in 1994.

    Resonating Spheres – Forest of Tadasu at Shimogamo Shrine
    teamLab, 2016, Interactive Installation, Endless, Sound: Hideaki Takahashi

     

    teamLab will showcase the above two art displays. Light, sound and digital technology will surround the trees leading up to the shrine and gate. The exhibits will transform with the presence of people.

     

    Head to one of Japan’s oldest Shinto shrines to see a fusion of tradition and modern technology.

     

    ■Information
    Light Festival in Tadasu no Mori at the World Heritage Site of Shimogamo Shrine, Kyoto
    Location: Shimogamo Shrine / Tadasu no Mori, 59 59 Shimogamo Izumigawacho, Sakyo, Kyoto
    *Please enter the southern part of Tadasu no Mori via Mikage Dori.Running: August 17, 2018 – September 2, 2018Tickets: Lawson and MiniStop convenience stores ticket terminals.
    *Loppi L-Code: 57291 / Lawson Tickets:  http://l-tike.com/tl-sg/
    Time: 18:30-22:00 (Last Entries 21:30)
    *Subject to change during busy times.
    Price: Weekdays ¥1,000 / Weekends ¥1,200 *Free for those in elementary school and below.
    *Pre-sale pair tickets available August 17-19 at ¥1,200
    *Pre-sale pair tickets are limited in quantity.
    *Pre-sale pair tickets will also be sold at the shrine when the event is running.*Restricted entry during busy times.
    *No smoking anywhere on the shrine grounds.
    *For this event, you will required a ticket to enter Tadasu no Mori area.
    *No car park.
    *Please arrive using public transportation.
    *Please note that the event content is subject to sudden change.teamLabo Official Website: http://teamlab.art/jp/

     

  • teamLab and MORI Building Digital Art Museum Opens on June 21

    09.June.2018 | SPOT

    MORI Building DIGITAL ART MUSEUM: EPSON teamLab Borderless will open on June 21 and is co-managed by Mori Building Co., Ltd. and teamLab.

    森ビル チームラボ デジタルアートミュージアム「MORI Building DIGITAL ART MUSEUM」4

    teamLab Borderless is a collection of artworks that ‘form one borderless world.’ The art encompasses the entire room from the ceiling to the floor, and each piece connects seamlessly to the other, creating an immersive world where time blurs.

    森ビル チームラボ デジタルアートミュージアム「MORI Building DIGITAL ART MUSEUM」3

    You’ll be able to create new experiences with other people by submerging yourself into world of this borderless art and exploring it with your body.

    森ビル チームラボ デジタルアートミュージアム「MORI Building DIGITAL ART MUSEUM」2

    This never-before-seen new world is created in an expansive and complex three-dimensional 10,000 square meter space by 520 computers and 470 projectors.

    森ビル チームラボ デジタルアートミュージアム「MORI Building DIGITAL ART MUSEUM」

    EPSON teamLab Borderless have created 5 worlds each with their own distinct artwork. Early bird tickets are now on sale at a discounted price. Sales end on July 31. Additionally, the opening hours will be extended by one hour from June 21 to August 31.

     

    Dive into a mesmerising 3D world and get lost amongst the borderless art.

     

    ■Information

    MORI Building DIGITAL ART MUSEUM: EPSON teamLab Borderless

    Address: 1-3-8 Aomi, Koto, Tokyo

    Opening: June 21, 2018

     

    Opening Hours

    Monday-Thursday 11:00-19:00 (20:00)

    Friday 11:00-21:00 (22:00)

    Saturday 10:00-21:00 (22:00)

    Sunday & National Holidays 10:00-19:00 (20:00)

    *Last entries are 1 hour before closing time.

    *Times listed in brackets refer to extended opening times running from June 21 to August 31.

    *Business hours will defer from season to season. Check the official website for full details.

    Closed: 2nd and 4th Tuesday of every month.

     

    Early Bird Tickets (Discounted)

    Sales Period: June 7, 2018-July 31, 2018

    Price:

    Adults, High School & College Student – ¥2,400 (*Normal price ¥3,200)

    Children up to Middle School Student – ¥1,000 (*Same as normal price)

    *Prices listed include tax.

    *Early bird tickets admitted during the period June 21 to July 31 only.

    Ticket Purchasing: https://borderless.teamlab.art/jp/

     

     

    teamLab Borderless: https://www.baitoru.com/cp/teamlab-borderless/

    Official Website: http://borderless.teamlab.art/jp

    Teaser Trailer: https://youtu.be/y3quanO4bKw

     

  • teamLab to Bring Digital Art Exhibition to GINZA SIX Rooftop

    30.June.2018 | SPOT

    • Ultratechnologists teamLab are taking their Resonating Trees digital art masterpiece to the rooftop garden of GINZA SIX, the biggest shopping complex in Ginza. It will run from August 1 to September 2.

     

    The theme of the work is “Digitized Nature.” Taking place in a 56-meter roof garden, this digital art space combines sound and lights which change and transform as people walk by. This is the first time for this piece to be held in the city and offers people a dreamy experience with the nightscape of Ginza’s streets and buildings as the backdrop.

    The trees lining the garden will be individually lit up with bright and colourful lights. It will seem as if the trees are resonating with each other as they fade in and out of different colour tones. As watchers walk by, the colour tone of a tree will change and transmit to the trees next to them. The changing of colours signifies the presence of people, and in turn teamLab hopes people will become aware of the existence of other living things in the same space.

     

    Experience the latest in cutting-edge digital art technology at GINZA SIX.

     

    ■Information
    teamLab: Resonating Trees in GINZA SIX GARDEN

    Location: GINZA SIX GARDEN, GINZA SIX roof

    Running: August 1, 2018 – September 2, 2018 (*Shops and restaurants closed on August 27)

    Time: Sunset-11:00pm

    Entry: Free

    Event Page: https://www.teamlab.art/jp/e/ginzasixgarden

    Resonating Trees: https://www.teamlab.art/w/resonatingtrees

     

    GINZA SIX
    Address: 6-10-1 Ginza, Chuo-ku, Tokyo

    Opening Hours: Shops & Cafes (B2F-5F) 10:30am-8:30pm / Restaurants (6F, 13F) 11:00am-11:00pm

    *Business hours different for select shops.

    No Fixed Holidays.

    *Shops and restaurants closed on August 27.

    TEL: 03-6891-3390 (GINZA SIX Information Desk / 10:30am-8:30pm)

    Website: http://ginza6.tokyo/

     

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    Left: Overlap of paint (dot3) by Soichi Yamaguchi | Right: Ichijiteki ni Inu, Ichijiteki ni Hito, Ichijiteki ni E by Dan Isomura

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    Left: Peel off the paint “No.125” by Haruna Shinagawa | void #35 by KIKUCHI Ryo

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  • Tokuma Shoten Publishing released a new picture book entitled Studio Ghibli no Ironna Kurashi in Japan on October 9, 2020 which is centred on the everyday lives of the protagonists from 13 of Studio Ghibli’s animated feature films.

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    Life in the castle in Howl’s Moving Castle ©2004 Studio Ghibli・NDDMT

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    The town of Koriko in Kiki’s Delivery Service ©1989 Eiko Kadono・Studio Ghibli・N

    Arrietty’s house in The Secret World of Arrietty ©2010 Studio Ghibli・NDHDMTW

    Noboru Yoshida (Art Supervisor for The Secret World of Arrietty)

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  • Tokyo’s Mickey Mouse Exhibition ‘THE TRUE ORIGINAL & BEYOND’ Previews 5 Japanese Artworks

    14.October.2020 | FASHION / SPOT

    The Asahi Shimbun and Nippon TV are set to host an exhibition centred on Mickey Mouse at the MORI ARTS CENTER GALLERY in Roppongi, Tokyo, from October 30, 2020 to January 11, 2021, in celebration of 90 years since Mickey Mouse’s screen debut. The exhibition will showcase works shown at the Mickey: The True Original Exhibition held in New York in 2018-2019.

     

    Before the exhibition opens, five participating Japanese artists have each revealed their never-before-seen artworks which will be on display.

     

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    Tomoko Oshima | Comment

    “What’s fascinating about Mickey Mouse is, for reasons I can’t begin to work out, how he became a part of each person’s life. I was raised in a household that banned cartoon characters, so it always felt like something unobtainable. Mickey Mouse is like a hero to all of us. He’s dazzling and radiant, a kind of being I can’t look directly in the face of. When working on my Mickey Mouse art [for the exhibition], my concept was to create a Mickey that’s special only to me, so I challenged myself to turning that Mickey Mouse that everyone feels happy looking at and loves into my usual art style.”

    Oheya (Bedroom), Tomoko Oshima

     

    Kosuke Kawamura | Comment

    “What I find fascinating about Mickey Mouse is that no matter how old I get, he always transports me away from the real world to a world of dreams. He’s an idol of mine. I even have my own collection of merchandise I’ve been collecting over the years. For the exhibition, I needed to creating something for the Beyond [zone], so I tried shaping Mickey Mouse from how I see him in my head. I’ve always made sure to balance my artwork in such a way that it can be seen in two ways. When you stand close, you can see the detailed composition, but when you step away, it looks different. This time around I gave myself a little challenge and made the silhouette of his face and hands using flowers. If you get close to it you’ll see that it’s made up of lots of flowers, but stand from afar and you’ll be able to see the facial expressions and his pointing figure. I’d like people to give both a go, so when you’ve looked at it up close then take a step back.”

    Untitled, Kosuke Kawamura

    Nana Soeda | Comment

    “I feel Mickey Mouse’s appeal from his long history and how he has changed overtime, so I tried to express these aspects in the piece I made. The theme for it is centred on Mickey Mouse in the future, so when I was thinking about what he might look like in the future, I looked to past [designs] and tried fixing them up. So in my piece there’s a trace of looking back at past Mickey Mouse while giving him an update. Creating those ‘futures’ made me feel like I was walking through my own past and processes. You can’t know exactly what’s to come in the future even for someone as internationally popular as Mickey Mouse. But by learning from past memories and mistakes, you can draw on those to create a future, don’t you think? That’s something I wanted to convey in this piece, and I did so by creating something that’s close to the Mickey Mouse of the past with both 2D and 3D surfaces. The Mickey Mouse I drew is the one of ages past that looks completely different to his appearance today. But those look at it might feel something newer about it than older. That, or they might feel uncomfortable seeing him in a way they’re not used to. I want people to take their time looking at both and feeling whatever they feel when they do.”

    LOVE, Nana Soeda

     

    Calligrapher MAMI | Comment

    “I’ve captured Mickey Mouse’s silhouette as its own kanji by using calligraphy. His appearance is iconic worldwide, and by making him recognisable through this common language, I’ve tried to create a new kanji, effectively breaking the language barrier of calligraphy, something which is difficult in itself to overcome for people. Another thing with calligraphy is that you can write the same piece hundreds of times which means it can be fine tuned over and over. I believe that overlaps with Mickey Mouse’s design as he has too has evolved for a hundred years. But by no means have his designs he just spring out of existence immediately. He has undergone trial and error through the times, and always shines bright. It’s because of everyone who will see my piece as this exhibition that I’ve been able to create something I can feel from the heart.”

    ZEN Mickey, Calligrapher MAMI

     

    WAKU | Comment

    “I think the appeal of Mickey Mouse lies in the fact that people around the world all remember him from their childhoods. We form memories during our childhoods, and ever I’ve been able to recognise those memories inside of me, Mickey Mouse was something that was always close to me. When I see three circles together, Mickey Mouse’s face comes into my mind. He might be the first internationally recognisable symbol. I felt that the affinity between symbolism and neon signs is very high. So for my piece, I incorporated the techniques used for traditional Japanese neon signboards, something which I see less of these days. I took that and created the three Mickey Mouse circles using light.”

    Untitled (Still Being Worked On), WAKU

  • teamLab Creates New Expressions For its Planets Exhibitions in Tokyo

    13.October.2020 | SPOT

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    Floating in the Falling Universe of Flowers
    teamLab, 2016-2018, Interactive Digital Installation, Endless, Sound: Hideaki Takahashi

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    The Infinite Crystal Universe
    teamLab, 2018, Interactive Installation of Light Sculpture, LED, Endless, Sound: teamLab

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    12.October.2020 | SPOT

    Interdisciplinary art collective teamLab is joining Light and Space artist James Turrell and British artist and stage designer Es Devlin and the opening exhibition of Superblue Miami, a new art centre in Miami, Florida, beginning on December 22, 2020.

     

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    teamLab: Between Life and Non-Life

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    Transcending Boundaries / Universe of Water Particles, Transcending Boundaries
    teamLab, 2017, Interactive Digital Installation, Sound: Hideaki Takahashi

    Transcending Boundaries, A Whole Year per Hour / Flowers and People, Cannot be Controlled but Live Together – Transcending Boundaries, A Whole Year per Hour
    teamLab, 2017, Interactive Digital Installation, Sound: Hideaki Takahashi

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  • Review | ART AQUARIUM MUSEUM: A Magical Place Swimming With Life

    07.October.2020 | FEATURES / SPOT

    ART AQUARIUM MUSEUM officially opened permanently in Nihonbashi, Tokyo, on August 28, 2020. Before that, it was simply an exhibition that was held around Tokyo which brought together over 10 million visitors throughout its run, exhibiting goldfish in a variety of breathtaking ways.

     

    We visited ART AQUARIUM MUSEUM together with Japanese model Yuna Yabe to take a deeper dive into what lies within those doors.

    ART AQUARIUM MUSEUM can be found in Nihonbashi, an area of which served as one of many places where ART AQUARIUM previously held its exhibitions. Nihonbashi is steeped in tradition and is actually the place where Japan’s goldfish culture spawned from during the Edo Period.

     

    ART AQUARIUM was conceived and is managed by Hidetomo Kimura, an author and general producer. It’s a collaboration between art, design, and entertainment, all fused into an aquarium to create a completely unique experience. The museum has taken what was once a pop-up exhibition and expanded it many-fold, housing close around 30,000 goldfish.


    The aquarium is divided into different areas each with its own unique theme that plunges visitors into a multitude of fantastical worlds. One of the must-sees when visiting ART AQUARIUM MUSEUM is the masterful Oiran works—giant goldfish bowls as pictured above—which are inspired by the red light district of the Edo Period.

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    The lighting and music is ever-changing, and so transports visitors into a completely different realm every time. It can be one way one moment, and in the next instant it changes entirely.

    From the second floor you can overlook the fish shrines with dynamic 3D visuals in the background. These visuals change depending on the season, so you’ll be in for a treat however many times you visit.

    There are countless works of goldfish art scattered throughout the aquarium—too many to count, so your eyes will never grow tired.

    Suigian Lounge – Old Pine Tree Area

    ART AQUARMIUM MUSEUM even has its own dining lounge where guests can enjoy a meal while gazing at a painting of old pine trees, a cultural property of the Edo Period said to have been painted by those of the Kano school of Japanese painting. Traditional performances are also carried out on the stage for diners.

    These drinks are ¥1,200 each (before tax)

    Every five days, a new line-up of cocktails is served at Suigian Lounge. Japan used to be divided into 24 sekki rather than the now-used four seasons of springs, summer, autumn, and winter. These were further divided into 72 , which are five days apart each. That’s where the lounge gets its idea for changing its cocktails every five days. So you’re sure to find an interesting flavour on every visit.

    Kagyo Ryoran – Joy Area 

    Kagyo Ryoran is a separate cafe lounge at the aquarium where they serve authentic Japanese sweets in collaboration with famous confectionery shops.

    From Left Clockwise: Goldfish Sarasa ¥750 / Palet D’or Cacao Soda ¥900 / Echire Butter & Cream Castella ¥800 / lohasbeans coffee Matcha Tiramisu ¥850 / Goldfish Jelly ¥750 (All Before Tax)

    The cafe serves up range of tasty Japanese desserts, from traditional ones to others inspired by goldfish and some made in collaboration with other shops.

    Large Plush Toys: ¥3,200 Each (Before Tax)

    The aquarium event sells its own souvenirs, such as goldfish plushies in various sizes, original confections, collaborative products, and more.

    “Everything was magical—the goldfish, the sounds, the lights, the atmosphere!” explains Yuna. “They have a lot of different varieties of goldfish, and the fish tanks come in all shapes and sizes, which makes for plenty of Instagram-worthy moments. And since it’s inspired by Edo culture, it has a Japanese vibe to it too. The fish are always swimming around, so no two moments are ever the same, meaning you’re offered something fresh every time you visit.”

     

    If you’re visiting Tokyo, be sure to pay a visit to ART AQUARIUM MUSEUM.

  • Tokyo National Museum Announces VR Experience of the Famous Pine Trees Screen

    05.October.2020 | SPOT

    Tokyo National Museum has announced that it is set to showcase the Shōrin-zu byōbu, or Pine Trees Screen, in VR at its TNM & TOPPAN Museum Theatre from October 7, 2020.

    Japanese artist Hasegawa Tōhaku’s Pine Trees Screen has been digitally rendered in 25,376,150,000 images so that visitors can appreciate the details of this ink-on-paper work of this officially-recognised National Treasure of Japan.

     

    Additionally, another one of Tōhaku’s works, Kaedezu Kabeharitsuke (Maple Trees) will also be available to view in VR from October 6 to November 29.

     

    About the Pine Tree Screens

    Of the many National Treasures kept at Tokyo National Musuem, Hasegawa Tōhaku’s Shōrin-zu byōbu is one of the most popular. It’s a piece that has much mystery surrounding it, with people not knowing the pine tree location that he painted, or why he painted it. The VR experience will look into how the painting may have come about as well as take a stroll through Tōhaku’s other works, his life, and more.

     

    The VR experience is an incredible opportunity for people unable to visit Tokyo National Museum to see a masterful and respected piece of Japanese art.

  • Tokyo’s TERRADA ART COMPLEX Ⅱ Welcomes 3 Modern Art Galleries

    29.September.2020 | FASHION / SPOT

    TERRADA ART COMPLEX Ⅱ, an art complex facility in Tokyo managed by Terrada, has announced the opening of three new galleries: Contemporary Tokyo, Tokyo International Gallery, and UG Gallery.

     

    gallery UG Tennoz

    gallery UG is not only celebrating its 20th anniversary this year, but opening its second-ever gallery at TERRADA ART COMPLEX Ⅱ. The gallery, like the Galerie Maeght in Paris, helps support the creation of artists’ work as well as carries out various promotions and creates opportunities for the growth of young, up-and-coming artists. It aims to help expand the space of contemporary art, which it will do throughout the year at its new gallery with various exhibitions, such as solo exhibitions including one that showcases the amusement of 3D art, to more specialised exhibitions.

     

    Contemporary Tokyo

    Contemporary Tokyo takes on a more international approach by helping support Japanese artists based in Tokyo and various cities throughout China. The gallery will participate in numerous annual art fairs as well display the artworks of many contemporary Japanese artists. Looking towards the future, Contemporary Tokyo will eventually welcome artwork from Chinese artists, becoming a bridge between the art worlds of Japan and China.

     

    Tokyo International Gallery

    Tokyo International Gallery (TIG) was founded in 2019 with a mission to introduce global artists and global methods to the insular Japanese art scene. TIG wishes to to rethink the position of art in society, including environmental issues, urban planning, historical traditions, freedom of expression, and the questions and expressions that arise in the relationship between individuals and groups, subjectivity and objectivity, as well as dealing with subjects that are not framed or not actively discussed in a “borderless” manner. Its aim is to exhibit experimental works by a variety of unique artists.

     

    TERRADA ART COMPLEX Ⅱ plans to open around 10 galleries by spring 2021 as well as a cafe and garden. TERRADA ART COMPLEX Ⅰ, which opened in September 2016, currently has 6 galleries which are also a must-see together with the upcoming new ones.

  • Creamy Mami and Kimagure Orange Road Manga Artist Akemi Takada Gets Exhibition in Okayama

    29.September.2020 | ANIME&GAME / SPOT

    Kurashiki City Art Museum is now holding an exhibition dedicated to Japanese manga artist and character designer Akemi Takada. Titled TAKADA Akemi Exhibition: Angel Touch, the exhibition is set to run until November 8, 2020.

     

    Akemi Takada majored in graphic design at Tama Art University. After graduating, she entered the world of animation where she learned character design working for the Japanese animation company Tatsunoko Production. She went on to design characters for a range of popular anime series such as Creamy Mami, the Magic AngelKimagure Orange Road, Patlabor, and more. Today, she works as an illustrator as well as a designer for book covers.

    Angel Touch ©TAKADA Akemi


    Creamy Mami, the Magic Angel ©Pierrot

    The exhibition introduces original pictures of famous anime characters and Takada’s illustration work. Though solo exhibitions have been held many times for her in both Japan and abroad, this hails as one of the largest exhibitions ever with 200 drawings. Fans will also get to see new works as well which were drawn for the exhibition.

    Kimagure Orange Road ©Izumi Matsumoto / Shueisha・Nippon TV・Toho


    Creamy Mami, the Magic Angel 2

  • Kirby Star Allies Original Art Book Releases September 24

    27.September.2020 | ANIME&GAME / FASHION

    The all new Kirby Star Allies: The Original Art Book will be released on March 16, 2021—the third anniversary since the release of Kirby Star Allies on the Nintendo Switch. Pre-orders opened on Thursday (September 24).

     

    Kirby’s first official art book

    Kirby Star Allies: The Original Art Book | ¥2,700 (Before Tax)

    In the 28 years since Kirby has been announced, this comes as the first ever official art book in the Kirby’s Dream Land series.

    The book will feature over 500 pieces of art beginning from the launch of Kirby Star Allies to its free patches, from character art to backgrounds, rough sketches, key visuals, and more.

    The book will also include comments and interviews with the game’s creators. Fans in Japan who pre-order the book from Value Mall by October 3, 2020 will also receive a free gift.

     

    ©2018-2020 HAL Laboratory, Inc. / Nintendo
    © ambit 2020

  • Mickey Mouse Exhibition ‘THE TRUE ORIGINAL & BEYOND’ to be Held in Roppongi

    23.September.2020 | SPOT

    The Asahi Shimbun and Nippon TV are set to host an exhibition centred on Mickey Mouse at the MORI ARTS CENTER GALLERY in Roppongi, Tokyo, from October 30, 2020 to January 11, 2021, in celebration of 90 years since Mickey Mouse’s screen debut. The exhibition will showcase works shown at the Mickey: The True Original Exhibition held in New York in 2018-2019.

     

    Walt Disney’s concepts and ideas are formed around innovation, creativity, imagination, and storytelling. And one character who walked that journey with him and continues to this day is none other than the iconic Mickey Mouse, who since making his first appearance in Steamboat Willie in 1928, has gone on to be a symbol of the Walt Disney Company loved by people the world over.

    Mickey: The True Original Exhibition in New York

    The Mickey: The True Original Exhibition held in New York looked at how Mickey Mouse has influenced art and pop culture over the years, covering everything from Steamboat Willie which hailed as Walt Disney’s first black and white sound film to over 100 colour short animations, artwork, and more.

    Keiichi Tanaami – “Mickey’s Japan Tourism”

    Javier Sanchez Medina – “Studio for Mickey’s hands”

    The exhibition was ran from November 2018 to February 2019 and saw installations from over 20 international artists including New York-based artist Daniel Arsham and Los Angeles-based artist and graphic designer Brian Roettinger.

    Brian Roettinger – “(L)imitation of Sound”

    DRx – “3000% Mickey Be@r”

    The Tokyo exhibition will be a travel back through time, looking at Mickey Mouse from the past to the present. It will be split into three zones: “The Origin,” “The True Original,” and “Beyond.”

     

    The Beyond zone will welcome original artwork from five Japanese artists.

     

    Original Merchandise – Pin Badge

    Original Merchandise – Ballpoint Pen

    The exhibition’s museum shop will have exclusive Mickey Mouse merchandise for sale, as well as pre-sales on other items. See new official goods from works like Steamboat Willie and Fantasia as well as items designed by Japanese artists. It’s a chance to see Mickey in a variety of different ways.

    Free eco-bag

    Visitors to the exhibition will also receive one of four original eco-bags for free upon arrival.

  • teamLab’s Borderless Autumn Themed Digital Art Exhibition Arrives in Tokyo

    16.September.2020 | SPOT

    teamLab Borderless is a world of artwork without boundaries, a museum without a map created by art collective teamLab. Over at their museum in Tokyo, MORI Building DIGITAL ART MUSEUM: EPSON teamLab Borderless, they are exhibiting a range of autumn themed digital art in time for the changing seasons. Let’s take a closer look at what’s on show.

    September Flowers

    October Flowers

    Proliferating Immense Life – A Whole Year per Year | teamLab, 2020, Interactive Digital Installation, Sound: Hideaki Takahashi

    Proliferating Immense Life – A Whole Year per Year looks at the life cycle of flowers. Throughout the year, with the passing of time, flowers bloom and change. They bud, grow, and blossom before their petals begin to wither and eventually fade away. The cycle of growth and decay repeats itself in perpetuity as the flowers propagate. When too many flowers grow, they scatter and fade all at once. When people touch them, the flower petals scatter and fall away

     

    A variety of autumn flowers will be recreated in digital art, such as Blackberry Lily (September) and Red Spider Lily (October). Visitors who touch these digital flowers will see them wither and decay, and subsequently bloom new flowers in their place.

    Rice Fields

    Autumn Colours
    Memory of Topography | teamLab, 2018, Interactive Digital Installation, Sound: Hideaki Takahashi

    This artwork installation depicts a rural mountain landscape of varying elevations. The scenery instills in the viewer a feeling of eternal permanence, however with the flow of real time the scenery is continuously changing. In the spring, the rice fields are still small and lush. In summer, they begin to mature, and in fall, they turn a golden color.

     

    The colours of autumn will be depicted in its glorious combination of golds and reds for the exhibit.

    Forest of Resonating Lamps – One Stroke, Autumn Mountain | teamLab, 2016, Interactive Installation, Murano Glass, LED, Endless, Sound: Hideaki Takahashi

    When a person stands still close to a lamp at Forest of Resonating Lamps – One Stroke, Autumn Mountain, it shines brightly and emits a colour that resonates out. The light becomes the starting point, and it spreads to the two nearest lamps. The light from the two nearest lamps transmits the same colour to other lamps, spreading out continuously. The light transmitted always resonates out as a bright light once, passing to close lamps, until all lamps have shone brightly once, and then returns to the first lamp.

     

    For October, this exhibit will turn into Forest of Resonating Lamps – One Stroke, Autumn Mountain.

    Flowers Bloom in an Infinite Universe inside a Teacup | teamLab, 2016, Interactive Digital Installation, Endless, Sound: Hideaki Takahashi

    Make tea, and flowers bloom inside the teacup. If you pick up the teacup, the flowers scatter and spread outside of the cup. Flowers bloom infinitely as long as there is tea. The tea in the teacup becomes an infinite world in which the flowers continue to bloom. Drink in the infinitely expanding world.

     

    The exhibition hall’s tea house “EN TEA HOUSE” will see a variety of autumnal flowers used including safflower, dianthus, and Chinese aster for September and cosmos, osmanthus, and chrysanthemum for October.

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