teamLab Borderless to Turn Tokyo’s Odaiba Into Digital Winter Wonderland

17.November.2020 | SPOT

MORI Building DIGITAL ART MUSEUM: EPSON teamLab Borderless in Odaiba, Tokyo, is set to welcome a world of wonderful winter artworks this year.

 

teamLab Borderless is a group of artworks that form one borderless world. Artworks move out of rooms, communicate with other works, influence, and sometimes intermingle with each other with no boundaries.

 

Sketch Christmas

This December, teamLab invites children to create a Christmas world from their own pictures. When they draw a picture of Santa Claus on a piece of paper, he will appear in a town right in front of their eyes as if by magic.

Forest of Resonating Lamps

Throughout December and into January, the lamps at the art museum’s Forest of Resonating Lamps area will be changed to blue, inspired by the Blue Grotto sea cave in Italy. Going into January, they will turn red to be inspired by flames.

Proliferating Immense Life

The museum’s immense flower art piece Proliferating Immense Life – A Whole Year per Year will welcome numerous winter flowers over the next few months including Jack-in-the-pulpits in December, Chinese aster in January, and Asian bleeding-heart in February. When people touch the flowers they scatter, wither, and die, before being reborn. 100,000 flowers will scatter at once, creating a breathtaking display.

Memory of Topography

This artwork installation depicts a rural mountain landscape of varying elevations. For winter, it will depict wintertime scenery starting from December, from powdery snow to snow storms, kantsubaki midwinter camellias, plum blossoms, and more.

 

EN TEA HOUSE GENKA-TEI

Enter teamLab Borderless’s cafe where flowers bloom inside your cup. The tea house will make tea with a variety of winter flowers like chrysanthemums and cyclamens until December before switching to daffodils and plum blossoms from January to March.

 

Experience winter like never before at MORI Building DIGITAL ART MUSEUM: EPSON teamLab Borderless.

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    Abstract and Concrete – Forest Entrance, 2018

     

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