Aimer’s Fate/stay night: Heaven’s Feel III. spring song Main Theme Music Video & CD Cover Released

01.February.2020 | ANIME&GAME / MOVIE / MUSIC

The music video for Aimer’s new song Haru wa Yuku has been posted on the singer’s official YouTube channel. The song will be used as the main theme for the upcoming anime film Fate/stay night: Heaven’s Feel III. spring song which will release on March 28, 2020 as the final film in the planned trilogy. Aimer also performed the main themes for the previous two films, Fate/stay night: Heaven’s Feel I. presage flower (2017) and Fate/stay night: Heaven’s Feel II. lost butterfly (2019).

Takahiro Miki was the director for Aimer’s previous two main themes for the first two films, Hana no Uta and I beg you, which both have over 10 million views on YouTube. They star Japanese actress Minami Hamabe.

Both Takahiro Miki and Minami Hamabe have returned for the final music video too, completing the trilogy.

In the video, we see Minami Hamabe in two different outfits, black and white, standing underneath a cherry blossom tree in full bloom. Its beauty is a faint allusion to the Fate/stay Night: Heaven’s Feel movie story line, mixed together with chaos. We also see Hamabe appear as she did in the Hana no Uta and I beg you music videos too.

 

Seeing an actress star in a long-term music video project like this, which has been ongoing since October 2017, is a rare thing indeed. The current version of the new music video is just a teaser, but the full version is scheduled to be released on Aimer’s YouTube channel in the near future.

The artwork for Aimer’s 18th single Haru wa Yuku/marie was also posted on her official website and features Aimer herself sat under a fully-bloomed cherry tree.

 

Aimer said: “I’m so incredibly happy to have been able to weave this story together into one from three songs with [Yuki] Kajiura and three music videos together with director Miki and Minami, finishing with ‘Haru wa Yuku.’ I’m filled with gratitude for the both of them [Miki and Minami]. I want everyone to watch this final piece while thinking about ‘Hana no Uta’ and ‘I beg you.’ I hope this music video and the song ‘Haru wa Yuku’ resonates with people deeply.”

 

©TYPE-MOON・ufotable・FSNPC

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    Aimer said: “I am both happy and privileged to be able to sing all of the main theme songs until the final film like this. I would like to thank Kajiura, as well all of the people associated with the series, and all of the people who love the series, from the bottom of my heart. I was overwhelmed when Kajiura presented me with this song. I knew we’d have to perfect it down to the tiniest details. But I also wanted to sing about love, and all of the emotions it comes with, succinctly in one answer, and so I sang with everything I had. I cannot stop hoping that ‘Haru wa Yuku’ is a sing that the people who have watched the story to the end will love.”

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    “The Habsburg Dynasty 600 Years of Imperial Collections” is an upcoming exhibition set to take place at the National Museum of Western Art in Tokyo from October 19, 2019 to January 26, 2020 in commemoration of Japan and Austria’s 150 years of friendship. The exhibition was taking requests for musicians to create a theme song based on someone from the House of Habsburg for the event. Aimer wrote her new song marie based on Marie Antoinette, and it has been selected for the exhibition.

    It has yet to be announced when marie will be released, but a TV ad for the exhibition has been posted on TBS’s official YouTube channel and contains a snippet of the track.

     

    Speaking on the occasion, Aimer commented: “The stories of the live of those in the House of Habsburg are filled with conflicting emotions of joy and sadness, privilege and downfall. I received a request to write a song based on any one of theme, and I was immediately reminded of Marie Antoinette.”

     

    She continues: “I drew on her life in my own way in the song marie, from her getting married in France at the age of 14 to the grand final moments of her life. I hope people like the fusion of my voice with the sublime sound of the strings, and I hope it adds something to the Habsburg exhibition for those who are going.”

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