The film Doraemon: Nobita’s Sky Utopia will be released on March 3, 2023. The 42nd Doraemon movie follows Doraemon, Nobita, and his friends as they venture off to find Utopia, a perfect land in the sky where everyone lines in joy and happiness. They do so using an airship with a time warp function on their adventure, and to commemorate the film’s release, the Flying Doraemon Project began on January 14. A real-life 17-meter-long Doraemon blimp will soon appear in the sky, and fans are being asked to decide on a name for the craft.

The blimp, inspired by the Doraemon movie, will feature popular characters including Nobita, Shizuka, Suneo, and Gian. The blimp is the largest unmanned airship in Japan.

The message of the Flying Doraemon Project is to convey the feeling that in this day and age, children and adults alike can once again look upward and move forward toward their hopes and dreams.

Fans are asked to contribute ideas for the blimps name during the application period. Check the website for more details!

Natsume Mito will star in the upcoming film Kono Chiisana Te (These Small Hands). The film will debut in theaters on April 8.

The movie is an adaptation of the manga series by Mamora Goda, also known for his works Kira Kira Hikaru and Mori no Asagao. The story follows a father who never cared for his daughter and a daughter who has forgotten her father.

This is the feature-length debut of director Hiroyuki Nakada, who previously worked as an assistant director on films such as Love is Light and Tsukuritai Onna to Tabetai Onna.

<Comment from Director Hiroyuki Nakada>

“What is a father?

This question came to me as I was watching my newborn son sleep.
Does supporting a family financially make a good father?
Can a man be a father in some other way? Can he do something else?
While I was pondering this, I came across Kono Chiisana Te.
I really wanted to find the answer to my question, so I decided to work on plans for this live-action film.

I hope that everyone who sees this film will take some time to think about their families in this fast-paced world.”

<Story>
Kazuma, an illustrator, lives with his wife Sayuri and their three-year-old daughter Hina.

One night, while Kazuma is drinking with his work buddies, Sayuri gets into an accident and is hospitalized while out shopping.

Kazuma falls asleep at the bar and Hina wakes up alone the next day. She is rescued by the police and placed in an orphanage.

Given his actions, Kazuma can’t take Hina home. Having done nothing to help raise her, he’s decidedly unfit to parent. Sayuri doesn’t wake up, and time continues to pass.

Desperate, Kazuma gradually realizes that there are people who care for him and want the best for his life. Determined, he sets out to repair his bond with his daughter.

When Kazuma visits, however, all Hina can do is cry. Has she forgotten her father’s face?

（Ｃ）映画「この小さな手」製作委員会

Based on the Tsuburaya Productions Gridman live-action tokusatsu series from 1993, the
SSSS.GRIDMAN anime series aired in October 2018. A sequel, SSSS.DYNAZENON, followed in April 2021.

Ahead of the release of GRIDMAN UNIVERSE, an all-new anime film coming in March, both SSSS.GRIDMAN and SSSS.DYNAZENON will be getting compilation films. Each will only be
in theaters for two weeks.

劇場総集編『SSSS.GRIDMAN』

The SSSS.GRIDMAN film will be in theaters starting January 20. Those buying tickets will
receive a special illustration card with a voice drama created by Akira Amemiya, the director of the SSSS series, while supplies last. The title of the drama is Hinekuremono Demo (Even if You’re Cynical) starring Soma Saito (Sho Utsumi) and Hass (Akari Kito).

The newly-revealed illustration card’s design features Yuta Hibiki, Sho Utsumi, Rikka
Takarada, and Akane Shinjo happily snapping photos.

SSSS.DYNAZENON will be released for two weeks starting March 10, and those buying
tickets will also get an illustration card and a special voice drama written by Akira Amemiya.

The SSSS.GRIDMAN compilation film is being directed by Yoshiyuki Kaneko, who served as assistant director on the anime series. The film will show a somewhat new interpretation of the story under his new direction. Both compilation films will include extra footage leading
up to the release of GRIDMAN UNIVERSE on March 24, 2023.

©円谷プロ ©2023 TRIGGER・雨宮哲／「劇場版グリッドマンユニバース」製作委員会

DEEMO: Memorial Keys is scheduled to release in select locations nationwide on February 25, 2022, and a new key visual and 90-second trailer filled with brand-new footage just dropped!

The key visual was created by Mebachi, a popular illustrator known for creating the character designs for both DEEMO and the ending animation of Love Live! Nijigasaki High School Idol Club.

Against the backdrop of the castle where Deemo lives, a spiral staircase made of piano keys leads guests to a mysterious world. Alice, the main heroine, and Deemo, the masked girl, along with other characters are seen gazing up at the sky. Cherry blossom petals and light pour down from above in this emotional key visual that perfectly encapsulates the story’s world.

DEEMO tells the story of a girl who falls from the sky. She has no memories and finds herself traversing a strange castle. The sound of piano rings out, and the girl must discover the truth of who she is, and where she finds herself.

DEEMO: Memorial Keys Trailer

Based on the popular DEEMO mobile game, many famous tracks from the title will appear in the movie, so fans shouldn’t miss it!

ⓒRayark Inc./「DEEMO THE MOVIE」製作委員会

The Boat Race track at BOATRACE Tokonome will be home to a 3-day Drive-in Theater event on November 19, 20, and 21. The vast west parking lot will welcome guests to enjoy three films from the safety and privacy of their vehicles. In past years, the Hamanako, Tokuyama, Naruto, and Mikuni locations have participated. Now, it’s Tokoname’s turn!

Selected Films

La La Land (with subtitles) – November 19, 2021

© 2017 Summit Entertainment, LLC. All Rights Reserved.

The Secret Life of Pets 2 (dubbed) – November 20, 2021

© 2019 Universal Studios. All Rights Reserved.

A Whisker Away – November 21, 2021

© 2020「泣きたい私は猫をかぶる」製作委員会

This lineup of films can be enjoyed by families, lovers, and friends. The final film, A Whisker Away, is a coming-of-age fantasy set in the city of Tokoname. Visitors can enjoy these films on one of the largest air screens in Japan, at 722 inches. Don’t miss some additional boat race content that even beginners can enjoy!

The Japanese art director Hideyuki Tanaka has directed a special movie to promote the 2^nd season of Marc Jacob’s new line “Heaven by Marc Jacobs” as a contributor of this season.

ROBOT GIRL BABY TEE ¥14,300 (tax included) / ROBOT GIRL PILLOW ¥12,100 (tax included)

Special Movie：https://www.marcjacobs.jp/contents/heaven.php

The original graphic robot, Heaven is pop and cute, yet her poisonous ambience with Chinese character “Heaven” on her forehead is iconic. Heaven’s motto is to protect Double-headed Teddy. To celebrate the collaboration, Marc Jacobs launches a compact baby T-shirt decorated with a playful three-dimensional patchwork and a pillow cushion featuring Heaven with scribbles as a print. Don’t miss out the exclusive items and special movie of Heaven by Marc Jacobs.

ASOBINEXT is a new project launched by event management and talent agency ASOBISYSTEM, which is known for managing artists like Kyary Pamyu Pamyu. The project aims to create next generation icons who will promote their unique personalities and outlooks to the world using social media and in turn bring about new forms of culture.

As part of ASOBINEXT, MOSHI MOSHI NIPPON will be publishing content from each talent that is tied to ASOBINEXT in the form of their favourite and recommended things. Today, we are joined by ASOBINEXT’s Haruna Tamura, an actor and YouTuber, whose film recommendation in this edition is the live-action adaptation of Let Me Eat Your Pancreas.

Synopsis

The story is centred on two individuals who, at the start of their relationship had never really spoken about anything in particular… initially. “Me,” the male protagonist in the film, comes across a diary in a hospital waiting room and discovers it belongs to his classmate Sakura Yamauchi. He learns in the diary that she has a pancreatic illness.

映画「君の膵臓をたべたい」（7/28公開）の公式Twitterアカウントです✨
映画の最新情報をお届けします😊フォロー・RTをお願いします🙇#キミスイ #君の膵臓をたべたい #7月28日公開 #浜辺美波 #北村匠海 #北川景子 #小栗旬 #映画 pic.twitter.com/L3aWLoRomu

— 映画「キミスイ」公式 (@kimisui_movie) March 23, 2017

＼映画『#キミスイ』公開カウントダウン企画第3弾／
公開まであと1ヶ月となる明日28日（水）に「#キミスイみたい」のハッシュタグをつけて、映画への期待コメントをツイートして下さい💕今回は、抽選で10名様に映画『キミスイ』ブックカバーをプレゼントしちゃいます‼続く⬇ pic.twitter.com/CHoXxj7IUT

— 映画「キミスイ」公式 (@kimisui_movie) June 27, 2017

Sakura is a very popular girl in Me’s class, and he never thought she would be suffering from such a fatal illness. She had kept it a secret, with only the people in her family knowing about it. And so begins a bittersweet love story between the plain and simple Me and Sakura, his complete opposite who is the popular one of the class.

＼映画『#キミスイ』公開カウントダウン企画スタート‼／
ただ今から～21時🕘までの間に「#キミスイ楽しみ」のハッシュタグをつけて、映画への期待コメントをツイートして下さい‼抽選で10名様に映画プレスをプレゼント💕皆さまお気軽にご参加ください😊#キミスイ #7月28日公開 pic.twitter.com/y5mLcviWUC

— 映画「キミスイ」公式 (@kimisui_movie) May 28, 2017

Cast 

There are different cast members in Let Me Eat Your Pancreas for playing both the present and past selves of the characters.

The characters of the past, 12 years ago, are played by the following: Minami Hamabe as Sakura Yamauchi, Takumi Kitamura as Me/Haruki Shiga, Karen Otomo as Kyoko, and Yuma Yamoto as Gamu-kun.

This film marked the first time Minami and Takumi had starred in film together, and it was a huge success amongst viewers who shed tears at the relationship between the ill-stricken girl, and the boy who found her diary that details her experiences of living with said illness.

Playing the characters of the present is: Shun Oguri as Haruki Shiga, Keiko Kitagawa as Kyoko, and Yusuke Kamiji as Gamu-kun. Comments from viewers who have watched the film often pointed towards how Shun and Yusuke gave authentic performances of Haruki and Gamu-kun grown-up together, and how they Keiko Kitagawa’s dress was spot on. I was drawn in by how they all knew each other at school.

＼レポートアップしました😆／
「#君の膵臓をたべたい」初日舞台挨レポートをアップしました🌻https://t.co/LD3gZP5kRh#キミスイ #君の膵臓をたべたい #大ヒット公開中 #浜辺美波 #北村匠海 #北川景子 #小栗旬 #月川翔 pic.twitter.com/fWXasWDZxa

— 映画「キミスイ」公式 (@kimisui_movie) August 1, 2017

My Favourite Part

The highlight of the film for me which I want to point out to everyone is Minami Hamabe’s portrayal of Sakura Yamauchi. She purposely puts energy into her performance, and that really left an impression on me. The world of the movie and the real world are two completely different things. Of course, this character doesn’t really exist, but when I watched the performance I felt I understood her. There was a real affinity there. As the story progresses, so too does the illness grow more serious, so what I want is for people to pay attention to her facial expressions, her demeanour, and such, as that happens.

＼映画『#キミスイ』公開カウントダウン企画実施中‼／
本日21時🕘まで実施中！「#キミスイ楽しみ」のハッシュタグをつけて、映画への期待コメントをツイートして下さい😆映画「キミスイ」を知らないーという方はこちらから予告をどうぞ🎵⇒https://t.co/utJI3lLlJG pic.twitter.com/zixCSjyTW8

— 映画「キミスイ」公式 (@kimisui_movie) May 28, 2017

Wrapping Up

I first watched this film when I was a 3rd year high school student. Since the film is set in the same school year, the story had an even greater impact on me. I was able to learn the bittersweet-ness of romance as well as the preciousness of life. To this day, I think it remains my favourite film.

I was captured by the array of emotions that Minami Hamabe portrays in particular. There are a lot of parts that I can relate to from being a student to becoming an adult. It’s a very easy story to get behind, so if you’re reading this, I’d love it if you checked it out.

Minami Hamabe and Takumi Kitamura are also starring in the film Omoi, Omoware, Furi, Furare which is showing now too. I want to go and see it for myself to see how they have both grown.

ASOBINEXT is a new project launched by event management and talent agency ASOBISYSTEM, which is known for managing artists like Kyary Pamyu Pamyu. The project aims to create next generation icons who will promote their unique personalities and outlooks to the world using social media and in turn bring about new forms of culture.

As part of ASOBINEXT, MOSHI MOSHI NIPPON will be publishing content from each talent that is tied to ASOBINEXT in the form of their favourite and recommended things. Today, we take a look at 5 recommended nostalgic Japanese films from ASOBINEXT’s Mirai who makes sure to watch at least one film a week.

Our Little Sister

©2015 吉田秋生・小学館／フジテレビジョン 小学館 東宝 ギャガ

・Film Summary
The film follows three sisters: Sachi, Yoshino, and Chika who all live in the house of their grandparents in Kamakura where they all grew up together. One day, they receive news of the death of their father. At his funeral, they meet their 14-year-old half-sister Suzu for the first time, whose mother is already dead. She had been living with their father and her stepmom after he remarried. When the eldest daughter Sachi looks at Suzu as the sisters are saying goodbye to her, she invites Suzu to go and live with them in Asakusa. Suzu agrees to go, and thus begins the sisters’ journey together to deepen their relationship with Suzu. Its a very ‘Japanese’ film in many ways, and has a nostalgic Asakusa feel to it from the scenery and how people interact with one another.

・Why I Chose This Film
The story really gripped my heart. It’s heartwarming, sad, and has a kind of nostalgia I can’t quite put my finger on which makes me want to go back home. I love Asakusa, the setting of the movie, and go there every year to have fun with my family. We’re also four siblings, brothers and sisters, so this film felt more relatable to me as I watched it. If you’re someone who feels like they want to return to their hometown, or see someone you treasure, or want to feel something Japanese, then I recommend giving this film a go!

My Neighbor Totoro

 

この投稿をInstagramで見る

 

#TriviaTuesday✨The original poster for My Neighbour Totoro features only one young girl who was supposed to be the sole main character, before the story changed into one about two sisters. Mei was based on Miyazaki’s own niece, whilst the English dub from 2004 featured a then six year old Elle Fanning as her voice actor, with her older sister Dakota Fanning as Satsuki!

Studio Ghibli UK(@ghibliuk)がシェアした投稿 – 2020年 1月月28日午前9時40分PST

・Film Summary
In the early summer, Satsuki and her younger sister Mei move into the countryside with their father to be closer to their mother who is hospitalised. They meet a mysterious creature who Mei gives the name “Totoro,” a being which cannot be seen by adults. Satsuki and Mei get whisked into a fantastical world as we see them grow.

・Why I Chose This Film
I’ve loved it since I was a kid. It’s one of Ghibli’s films I’ve always watched. The film is set to be set in 1952 during the Showa Period. I was born in the Heisei Period so I wasn’t even born yet when the film was released. Even so, this is a film that continues to receive love, so much so that it wouldn’t be an exaggeration to say that it’s known to all in Japan, and all have seen it. I believe there are still lots of kids who are watching Totoro even now. This film is an emotion that continues to live in our hearts as a memory, one that’s like a dream we had when we were young. I want the people of the world to watch this regardless of their age or gender!

Always: Sunset on Third Street

・Film Summary
Mutsuko Hoshino arrives in Tokyo from Aomori Prefecture to begin her employment at the auto repair shop Suzuki Auto. Captivated by the prospect of living and working in the sparkling city of Tokyo, Mutsuku is disappointed to find that Suzuki Auto is actually a rundown shop in Tokyo’s lower districts. Despite this, she goes into her job with will-power and positivity, and finds herself becoming a member of the Suzuki family. There is also the struggling writer Ryunosuke Chagawa, who accepts the custody of Junnosuke from Hiromi. Junnosuke is the orphaned offspring of the previous tenant of the building where Hiromi opens a bar. All of the cast members convey love, courage, and warmth in this story about being human.

・Why I Chose This Film
The moment I saw this film, it felt like I had been transported back in time to 1926, even though I was born in the Heisei Period and not the Showa Period. Despite that, it still fills me with a sense of nostalgia, and it makes me well up with a feeling of courage. The film is set in a time where smartphones, PCs, and TVs aren’t a thing yet, so it really made me realise the importance of our connection to others. I want to recommend this film to anyone who wants to know about old time Japan, or is looking for a film with heart!

Kimi ni Todoke

©2010映画「君に届け」製作委員会　©椎名軽穂 / 集英社

・Film Summary
Sawako is avoided by her classmates in elementary school because of her appearance which leads them to name-call her “Sadako,” the main character from the film The Ring. They also call her a zashiki-warashi, a child spirit. But her father teachers her that a zashiki-warashi is a spirit that actually makes people happy. This makes her happy, since her motto is to “do one good thing a day.” When she becomes a high school stduent, she meets a certain boy, which marks the start of this cute and pure love story.

・Why I Chose This Film
This is my favourite of Japan’s love stories. It makes you feel that pure, butterfly stomach kind of youthful love. The music and the backgrounds in the film serve to add another layer to their relationship too. The film makes you want to cheer the two of them on from the shadows as they come to face complicated emotions they have never felt before. Everyone should check this out, regardless of age or gender, if they’re wanting a heart-throb story or feel like returning to their youthful days!

Korede iinoda! Eiga Akatsuka Fujio

・Film Summary
This film covers the life of manga artist Fujio Akatsuka—known for such popular series as Tensai Bakabon—and his 35 year relationship with his editor Toshiki Takei. You get to learn about the unique life of the manga artist, who has been called a genius.

・Why I Chose This Film
This comedy film is set in the 1970s and shows how the popular weekly manga magazine Weekly Shonen Sunday came about, a magazine which it wouldn’t be an exaggeration to call the start of Japanese manga. Of course, if you love Japanese manga, you should watch this, but I want all of the people of the world who are interested in the history of Japanese anime to see it!

The 2018 Argentine-Spanish true crime film El Angel is set to hit theatres in Japan this year on August 16.

The movie is inspired by the real-life Argentine serial killer Carlos Robledo Puch. It was screened at the 2018 Cannes Film Festival and was chosen for the Best Foreign Language Film at the 91st Academy Awards in the Argentine category. The film caught public attention and has enjoyed great success, and that’s in huge part thanks to Argentina actor Lorenzo Ferro, a newcomer who has made his acting debut with his role as Puch. He plays the character naturally and effortlessly, capturing the seemingly “pure” looks of Puch coupled with his evil intent, a killer who had free reigns to do whatever he needed to do to achieve his goal. The 60s-70s fashion that Ferro dons in the film is also a highlight worthy of note.

MOSHI MOSHI NIPPON spoke to Ferro who came to Japan to promote the film, and Yutaro, who is the same age as Ferro, and is a model that has recently become very busy in the acting world. We questioned them about them about the film, the character role, and fashion.

*Interview translated from Japanese.

──What are your thoughts after having seen El Angel, Yutaro?

Yutaro: This was actually my first time watching an Argentine movie. The first thing that piqued my interest was the unique sound of the language. With the story, when I heard that it was about a serial killer I thought it would be a pretty graphic portrayal, but it wasn’t. Even people who aren’t good with graphic and shocking kinds of films would be able to watch this.

──That kind of reasoning and moral compass [which the film depicts] makes you feel kind of uneasy, doesn’t it?

Yutaro: Obviously the things that the protagonist Carlos does is against the law and morally wicked, but he himself doesn’t believe any little thing he does is bad. He moves on instinct which in his mind is somehow acceptable, and that’s dangerous. Was it hard for you to create the character, Lorenzo?

Lorenzo: It really was tough. I hadn’t played a character until then, so the first thing I had to learn was just being in front of a camera. Playing the role came after. I had to become “friends” with the movie and “friends” with the camera. Those were the first things I needed to do to fulfill my commitment.

The whole shoot took around a month and a half, but prep time was half a year. During that time I practised playing piano and mastered riding a bike. It was a lot of work, but when I finally saw the completed movie, I felt it was definitely worth all the effort.

Yutaro: When you’re playing someone who is far from anything like yourself, prep time is really important, isn’t it? You have to gather material on the role and really use your imagination. I also make sure to properly communicate with the director before shoots. I ask about the film’s theme and intent. If our perceptions don’t match then it’s not going to hold up on screen.

Lorenzo: It’s definitely important to respect the director and communicate with them effectively. When we were filming, I wanted to make sure I didn’t forget to see the director as a friend. For instance, if the hierarchal relationship is overly strict and the director is the kind of person to look down on you and order you around, then you can’t build trust. I also think the best kind of relationship is when you can give your own opinion. Saying to them like, “That was no good, was it?” [laughs] “Why do I gotta do the same thing 40 times!?” You should be frank and express your doubts.

Yutaro: Speaking of that, it’s important to have trust with your fellow cast members too. I believe that even if you’re filming together, if you can’t build that trust, that subtle distance between you will be conveyed [in the scene]. You yourself have got to try and converse with them in a positive manner. Go out for a meal together before a shoot, talk together about your roles.

──You live your days laboriously, Yutaro, including as an actor. What does a time look like for you when things get particularly tough?

Yutaro: I’ve recently been doing a lot of shoots for multiple films at the same time. When that happens I find it very important to maintain retention so that I don’t forget my roles. In that sense, I also find that it’s important to look at how you spend your time outside of shoots when you’re working an acting job.

Lorenzo: Oh, yeah! Having spare time during shoots is a curse as an actor [laughs] Even if you fire yourself up―preparations are done, you’ve done your warmups, and you say, “Right, time to shoot!”―you have to start from zero again if you have time until the next shoot. That happens quite a lot.

──So you’re demanded to have self-discipline too. El Angel is set in 1970s Buenos Aires. The fashion and interior designs seen in the film really stood out.

Yutaro: For me personally the women’s clothes left an impression on me, particularly the one piece that Carlos’s mother wears. The clothes that Carlos wears in each scene too. They’re plain and simple but cool. I liked the leather jacket he wore when he went on a double date with his pal Ramón.

Lorenzo: Wow, you really took in at all the little details. The influence for Carlos and Ramón was drawn heavily from James Dean and Marlon Brando who were both popular actors at the time.

Yutaro: Oh, really?

Lorenzo: Like smoking cigarettes and wearing a leather jacket. We naturally had an amazing stylist who prepared our outfits for us. We were both also conscious of people like James Dean and Marlon Brando when we played Carlos and Ramón.

──What kind of clothes do you like, Lorenzo?

Lorenzo: I usually wear the kind of thing I have on now. I have a lot of rough-looking clothes. I really like fashion, my wardrobe is packed [laughs] The more clothes you have the harder it is to decide what to wear, so I really want to just wear the same t-shirt, pants and shoes all the time [laughs].

Yutaro: I looked at your Instagram, you wear t-shirts with Japanese games and anime characters on them, don’t you? You have a Super Mario one on today, and I saw a Pokémon one on your Instagram. I like how you venture to wear t-shirts of games that were popular a while back now.

Lorenzo: Really? Thanks, that makes me happy. The overalls you have on now are really cute, but I think that’s because it’s something that would suit you. If I wore something like that I’d probably look like a clown [laughs].

Yutaro: Do you have a criteria when picking out a character t-shirt?

Lorenzo: Well, I try not to wear t-shirts of franchises I don’t like, or games I haven’t played yet, or of bands I’ve never listened to before [laughs]. I’m wearing a Mario t-shirt today but there’s still much I don’t know about Japanese games or culture. I’m interested in many different cultures of many different countries, so I want to know more about Japan.

Yutaro: In that case, let’s go shopping together in Harajuku next time!

Writer: Takanori Kuroda

Photographer: MURA

Models: Yutaro, Lorenzo Ferro

Translator: Joshua Kitosi-Isanga

©2018 CAPITAL INTELECTUAL S.A / UNDERGROUND PRODUCCIONES / EL DESEO

Following the successful film Your Name, Makoto Shinkai has produced yet another masterpiece called Weathering with You (Tenki no Ko), collaborating yet again with RADWIMPS. RADWIMPS’ released their brand new album called Weathering with You (Tenki no Ko) on July 19. Until now, their song Ai ni Dekiru Koto wa Mada Aru Kai has made quite a few brief appearances in the promotion in the movie including in the movie trailers and has stirred quite a sensation. 

Today, along with the release of the album, the official music video went public. Each scene of the video has been depicted beautifully. As the weather changes, each scene shifts perfectly in response, portraying the beautiful world of the film flawlessly. The music is filled with the strong and intense yet gentle and kind vibes of RADWIMPS that you absolutely cannot miss. 

The new album includes a total of 31 songs, consisting of the five main theme songs and the 26 songs that are used as background music in the film. Please check out their emotion-filled album and then see the movie for yourself to see just how RADWIMPS have added colour and emotion to scenes of the film. All songs from the album have been released by major streaming services such as iTunes and Rekchok, so please check it out. 

There is also a special bonus scheme running to treat those who purchase the new album from a shop. The bonus involves the free giveaway of a CD-sized card with a special design that represents the five main songs from the album. The pattern on the card varies from shop to shop, so please find out more information about this scheme by visiting their official website if you are interested. 

©2019 Weathering with You Production Committee

The second run of the Toshio Suzuki & Studio Ghibli Exhibition is set to take place at Huis Ten Bosch in Nagasaki from July 13 to September 23. The event is focused on longtime Studio Ghibli producer Toshio Suzuki and centres on specific “words” he wishes to convey through this work.

The exhibition had its first run in Tokyo back in April this year. We covered that event in detail so be sure to give it a read.

The enormous 3-meter tall Yubaba & Zeniba centrepiece will return at the Nagasaki exhibition. Visitors can draw omikuji fortunes from the display which have Suzuki’s keywords written on them along with his explanation of them. You can take these home with you―a perfect addition for your Studio Ghibli collection!

An extremely special merchandise shop will also open at the site with exclusive items and products on sale and decor and decorations that will have you feeling you have stepped right into an enchanting world woven by Studio Ghibli.

Fan: ¥702 (Tax Included)

Get your hands on an official Spirited Away fan to cool yourself down at the event this summer. On one side is an illustration of Yubaba and on the other some powerful words from Suzuki.

Tote Bag: ¥1,620 (Tax Included)

Express your love for Studio Ghibli everyday with this tote bag featuring the same illustration of Yubaba―which is the main visual for the exhibition―on the side. It’s big enough to be worn on your shoulder making it a convenient day-to-day item.

Tea-Towel: ¥1,296 (Tax Included)

This beautiful tea towel is made in collaboration with dyed goods company Chikusen who have been around since the Edo period. It has a traditional indigo blue colour and is made from high quality material. A perfect gift and souvenir for any fan of Studio Ghibli.

We can’t forget the themed food menu either. You’ll find it on the first floor of Huis Ten Bosch at the Tea Salon.

Bath House Dessert: ¥850 (Tax Included)

A fitting dessert for any guest of the Spirited Away bath house, look forward to a bamboo charcoal-black chocolate-sprayed vanilla ice cream, colourful sugar candy and a cookie. It’s also served with iced corn tea.

Toast For Adventure Lovers: ¥650 (Tax Included)

Served with a glass of iced corn tea is a delicious egg-topped slice of toasted baked in the hotel bakery. Like you see in anime series, it makes you want to grab it, shove it between your teeth and run outside on an adventure.

Any fans of Studio Ghibli’s work aren’t going to want to miss out on this very special event. If you’re in Japan this summer be sure you get to go.

©️TS ©️Studio Ghibli

The sequel to the live-action film Tokyo Ghoul, entitled Tokyo Ghoul S, will be released on July 19, 2019. The first film dropped in 29 countries around the world in July 2017 and went on to become a huge hit. The sequel features a whole new staff team with returning cast members.

Tokyo Ghoul S was shown at the 20th Japan Expo event in Paris, France on July 7, the first pre-release screening since its premiere in Tokyo. Several cast members including Masataka Kubota (Ken Kaneki), Shota Matsuda (Shū Tsukiyama) and Maika Yamamoto (Touka Kirishima) as well as the film producer Tomohiro Nagae appeared at the event for a Q&A session with fans.

The French fans welcomed the staff on stage with a round of applause as Kubota and Matsuda greeted them with a “Bonjour!” They got straight into the Q&A, with Kubota, who plays the half-ghoul Kaneki, explaining to the crowd, “All of you eat meat and vegetables, but ghouls are only able to eat people.”

He continues, “People go mad when it’s them who are to be eaten. But I think that’s part of the appeal of this movie.”

The producer Nagae elaborated on the film’s deep theme: “One thing about this film is how universal its theme is. No matter where you go in the world, it’s mutual. Humans and ghouls experience much drama throughout the franchise, but this also applies to those close to you. When you’re watching the film, try thinking what would happen if you yourself became a ghoul.”

When asked about their favourite characters in the films, Kubota answered Juzo Suzuya, Matsuda answered Kaneki, and Yamamoto said her own character Touka.

Matusda also earned huge cheers from the crowd with his Tsukiyama-like answer, saying: “In this film Tsukiyama says for the first time since meeting Kaneki that he wants to eat him, so now I can’t think of anything else but him.”

When asked what fans should look forward to in this film, Kubota simply said “Shota Matsuda!” Matsuda followed this up saying, “I believe this is a romance film between Tsukiyama and Kaneki. Look forward to that aspect of it too.”

©Sui Ishida / Shueisha   ©2019 “Tokyo Ghoul S” Production Committee